[caption id="attachment_100212" align="aligncenter" width="1024"] Primeira edição em 1970- Basel, Suíça

[/caption] When Swiss gallery owners Ernst Beyeler, Trudi Bruckner and Balz Hilt began attending a fledgling art fair known as Kölner Kunstmarkt, which opened in 1967 in Cologne, Germany, a world full of possibilities opened up before their eyes . Inspired by what the eyes glimpsed, the trio decided to take the idea to their hometown of Basel . [caption id="attachment_100172" align="aligncenter" width="850"] feira de arte conhecida como Kölner Kunstmarkt, aberta em 1967 em Colônia, na Alemanha

feira de arte conhecida como Kölner Kunstmarkt, aberta em 1967 em Colônia, na Alemanha

[/caption] The Cologne fair had some flaws: it was focused largely on German galleries and did not promote international art, but the three gallery owners were shrewd businessmen and were determined to do something different, something unique in the history of art exhibitions . And Basel was the place. perfect for this. [caption id="attachment_100173" align="aligncenter" width="500"] feira de arte conhecida como Kölner Kunstmarkt, aberta em 1967 em Colônia, na Alemanha

[/caption] Located on the triple border between Switzerland, Germany and France, Basel is the third largest city in Switzerland , behind Geneva and Zurich, and is considered the cultural capital for its more than 40 museums and numerous galleries and antique shops . In addition to its privileged location in the heart of the old continent and the natural inclination for the arts, the city had been occupied by a new class of consumers in the post-war period , with relevant potential for the art market.

The first edition in Basel

[caption id="attachment_100165" align="aligncenter" width="1024"] Art Basel: primeira edição 1970

[/caption] The first edition of the fair opened on June 12, 1970 and received more than 16,000 visitors and 110 exhibitors of ten nationalities. The big difference in Basel, which would make it the most famous contemporary art fair in the world , was the diversity scope of the works on display. The fair was not only aimed at refined European collectors in search of modern art, but also at young collectors from all over the world, the emerging class of art lovers and, of course, young artists. [caption id="attachment_100166" align="aligncenter" width="780"] Art Basel: primeira edição 1970

[/caption] In 1975, in its sixth edition, it already had 300 exhibitors of 21 different nationalities . In its tenth edition, the fair revealed names such as the British Julian Opie and Tony Cragg and the Swiss duo Peter Fischli and David Weiss , who would later become great highlights in the world contemporary art scene . [caption id="attachment_100176" align="aligncenter" width="1024"] Art Basel: primeira edição 1970

[/caption] It was Luisa Strina , one of the most important gallery owners in the country, who made the Brazilian presence at the Basel fair . She was exhibiting her stand at the Cologne fair in the early 1990s when she was invited by the then director of Art Basel to exhibit at the fair. [caption id="attachment_100188" align="aligncenter" width="900"] Luisa Strina- Art Basel Miami Beach, 2018

Luisa Strina- Art Basel Miami Beach, 2018

[/caption] “In the beginning, it was just me and one other assistant, we set up the gallery stand ourselves. The public and the fair in general were much smaller; it was something really exclusive, I was the only Latin American gallery owner for five years . Then they came in also Kurimazutto and Marcantonio Vilaça ”, recalls Strina.

[caption id="attachment_100191" align="aligncenter" width="1024"] Nara Roesler- Art Basel Miami Beach, 2019

[/caption] Another important Brazilian gallery owner who began to show her presence at the fair in 2003 was Nara Roesler , who took a special project by the São Paulo artist Laura Vinci to the Miami fair. Later, in 2007, at the invitation of the Art Basel organizers, she took the Brazilian Helio Oiticica .

From Basel to the world

[caption id="attachment_100195" align="aligncenter" width="1024"] Fachada da Art Basel 2019

[/caption] With the arrival of the 2000s, the expansion of the fair was already more than anticipated . Samuel Keller, then director of the fair, inaugurated the new millennium with the introduction of new technologies and media. Art Basel began to break with the classic concept of an exhibition. , giving rise to the most ambitious forms of exhibition: installations, monumental sculptures, large-scale paintings, video works and artistic performances. [caption id="attachment_100197" align="aligncenter" width="1024"] Art Basel Miami Beach, 2011

[/caption] In 2001, the inauguration of Art Basel in Miami Beach already had a date and place to start. Miami was a location chosen on purpose because it is right between Latin and North American territories. The goal was to expand the boundaries of the Basel fair, to make the artists from America more visible and take art across the ocean. [caption id="attachment_100199" align="aligncenter" width="1024"] Art Basel Miami Beach, 2019

[/caption]

In 2020, the year that marks the fair's 50th anniversary , all editions were canceled due to the Covid-19 pandemic. New media and technologies were quickly adapted and during all these months its organizers have promoted online visits, lectures , digital content and virtual conversations truly connecting the entire world through the network. And so, anticipating years of change, in just a few months, a new era for Art Basel – and for art – has begun. Via Forbes. [april-see-also]W3siaWQiOjkyMTgwLCJ0aXRsZSI6IkFydCBCYXNlbCBsYW4mI3hFNzthIHNlZ3VuZGEgZWRpJiN4RTc7JiN4RTM7byBjb20gNCBtaWwgb2JyYXMgZGlzcG9uJiN4RUQ7dmVpcyBvbmxpbmUifSx7ImlkIjo5OTYzNiwidGl0bGUiOiJQbGFub3MgcGFyYSBmZW lyYXMgZGUgYXJ0ZSBlbSAyMDIxIGVzdCYjeEUzO28gZGVmaW5pZG9zIGEgbCYjeEUxO3BpcyJ9LHsiaWQiOjk5OTgxLCJ0aXRsZSI6IkNBU0FDT1IgUmlvIGRlIEphbmVpcm86IGdhcmFudGEgc2V1IGluZ3Jlc3NvIG5hIHByJiN4RTk7LXZlbmRhISJ9XQ==[/april-see-also] [newsletter news_id="APIEvent-news_casacor" ]undefined[/newsletter]

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