Eduardo Baldelomar comments on his double participation in CASACOR 2024

Bolivian architect and interior designer Eduardo Baldelomar has been participating in every edition of CASACOR Bolivia for eleven years, and since last year, the professional has also been part of the CASACOR São Paulo cast. Eduardo is the only one to date to develop projects for two different exhibitions in the same year: "It's a challenge to do two spaces simultaneously, for two consecutive years", he says. Regardless of where he is, the architect seeks to communicate his origins, highlighting Bolivian architecture. To design the Legado Loft at CASACOR Bolivia 2024 , Eduardo was inspired by the houses that evoke childhood and the warmth of home, characteristics of Santa Cruz de la Sierra, the architect's hometown and the exhibition's headquarters.

In an interview with CASACOR , the architect told us what it's like to work as a "double act" at CASACOR, detailing the experience and delving into the uniqueness of each project. Check it out below!

What defines your personality in the two environments you created for CASACOR 2024? Are there many similarities between them?

Both are contemporary and conceptual projects and are united by the warmth in the use of colors, textures and materials, the soft lighting makes both spaces welcoming. The functionality of the two and the use of right angles in the design also make them similar. Finally, the The use of furniture design lines is the same with soft cuts, in gray and off-white colors.

What is the biggest difference between the two spaces?

The biggest difference between the two is the concept. The one in São Paulo is inspired by the biodiversity of the Bolivian lowlands, referring to an iconic tree of my country: the Ceiba Camba. In Santa Cruz de la Sierra, my proposal is an environment full of crafts, art and references to Santa Cruz architecture, which seeks to integrate old pieces with modernity and technology that makes life more practical.

What characterizes "São Paulo" and "Bolivia" in each of the projects?

Both are spaces inspired by Bolivia, fused with contemporary design lines and complemented by Brazilian furniture. The São Paulo space has a strong message of sustainability and the need to preserve our natural biodiversity. On the Bolivian side, the message is to create a space where memories from the past coexist with the implementation of new technologies that help us improve our lifestyle.

Which of the two projects did you enjoy creating the most?

Both. It is a challenge to create two spaces simultaneously, for two consecutive years, and it requires that we follow a strict plan and schedule so that everything goes well. Being in São Paulo and the only foreigner at the exhibition entails the responsibility of bringing identity to my projects and show how we can merge it with contemporary design lines. I like to hear the comments of those who stop and appreciate the charm of the environment. Bringing the artwork from Bolivia was another trip that left us with many experiences and satisfaction. of having it ready for photo day and that today shines with all its splendor in the space.

What did you like most about each of your appearances in CASACOR?

I have been in Bolivia for eleven years and in São Paulo for two. Each year has something that captures your attention and stays in your heart. This year, in São Paulo, I was pleased with the impact of the art and the message that I took with the Ceiba Camba proposal. . In Bolivia, I like the emotions provoked in visitors, who remember their childhood home and the warmth of home, conveyed in a totally contemporary proposal.

What differences did you notice between CASACOR Bolivia and CASACOR São Paulo?

CASACOR is a franchise that strictly follows the implementation manuals. Furthermore, both events are governed by the CASACOR manifesto, which makes us reflect on the same theme and rethink the spaces in response to the reflection: “As a present, the now” . The difference is that each professional seeks to communicate their origins, their essence, information about their ancestors and, thus, show the richness of cultural diversity that we find within the same country.

How would you describe your first participation in CASACOR?

Last year was my first time in São Paulo. It was an honor, a challenge and a responsibility. I took it very seriously and came to live in São Paulo to do everything under my watchful eye. After my first participation, I opened my studio in São Paulo. and, this year, during my second participation, I continue working so that more and more people get to know my work and discover my creative process for creating unique spaces.