(Gabriela Daltro/CASACOR)
It's now official: the 2nd edition of
CASACOR Sergipe takes place from
November 4th to December 11th, 2022 at the traditional
Castelinho , a property from the beginning of the 20th century, in the Industrial District, in Aracaju. Built in an eclectic style, on the banks of the Sergipe River, the mansion is being
completely restored to host the event . With the theme of
Private Infinity , the event will feature a cast of
46 professionals , who will compose
33 environments . They are architects, interior designers and landscapers from renowned offices in the segment, on a journey through the creative universe of each one, with environments that highlight the physical, mental and spiritual well-being. “The main difference of
CASACOR is being an international brand. Those who work at CASACOR, whether in Sergipe, Peru or the United States, usually have
unlimited opportunities open to them”, says
Carlos Amorim , director of the franchise in Sergipe.
Present in 27 of the main Brazilian cities, CASACOR is synonymous with
inclusion ,
sustainability and
accessibility – in addition to being a journey through various universes of art and culture. The masterplan for the exhibition in Aracaju was designed by
Wesley Lemos , an architect with notable participation in
CASACOR Bahia and now with
great prominence in CASACOR São Paulo . Castelinho returns as an iconic event venue in Aracaju, where a special architectural project will be built for the gastronomic space. Prainha Bar operates the restaurant and bar, and the patisserie is under the command of Fabrícia Bolos. The spaces include: the ticket office, designed by architect
Gustavo Leão ; the Deca Space, designed by architect
Cristiana Cardoso ; the façade designed by
Anna Libório ,
Fred Libório and
Gândara Júnior . The landscaping was created by architects
Lainy Lemos and
George Machado . Also in the cast are professionals such as
Paula Cardinalle ,
Thiago Collares ,
Hertha Dantas ,
Alane Medeiros ,
Junior Ordoñez ,
Maicon Amorim and
Andrea Fonseca .
