The
Hãhãwpuá Pavilion , as the Brazilian Pavilion is referred to at this 60th Venice Biennale, stands out for the exhibition entitled "
Ka'a Pûera: We are walking birds ", curated by
Arissana Pataxó, Denilson Baniwa and Gustavo Caboco Wapichana . This exhibition, whose name refers to the areas of forest in regeneration, highlights the
artistic production and
resistance of the indigenous peoples of Brazil. (Cortesia da artista / CASACOR)
The exhibition highlights the strength and resilience of Brazil's indigenous peoples, especially those from coastal regions who were the first to be displaced from their own territory. Through works such as
"Okará Assojaba" by Glicéria Tupinambá , which tells the story of the Tupinambá mantles and their
struggle for recognition and repatriation , the pavilion showcases their adaptation and resistance to climate change and marginalization.
(Cortesia da artista / CASACOR)
(Cortesia do artista / CASACOR)
This year’s Venice Art Biennale, historically marked by the selection of the
first South American curator, Adriano Pedrosa , under the theme “
Foreigners Everywhere ”, offers a stage for discussions on deterritorialization, exclusion and rights violations. The Brazilian Pavilion, by giving voice to these peoples, stands out as one of the highlights of the event, celebrating the history and resilience of those who
have resisted and protected the biomes for centuries .
Location: Brazil Pavilion (Háhãwpuá Pavilion)
Address: Giardini Napoleonici di Castello, Padiglione Brasile, 30122, Venice, Italy
Date: April 20 to November 24, 2024