10 iconic armchairs that CASACOR architects love

Anyone who has been following CASACOR for a while will have noticed: there is always one piece or another that becomes a regular fixture in the shows. And it is no wonder that the architects and designers in the cast choose these specific pieces for their environments – classic, They are designs that, in themselves, already tell a story. One example is the Jangada Armchair , by master Jean Gillon, which has a special corner in Gabriel Bordin's space (above). The piece is a landmark in Brazilian design and its revolutionary design – featuring mesh nylon, Jacaranda solid and leather in its composition – forever changed the course of design. Below, we have selected nine other armchairs that you may have seen at CASACOR , but perhaps don't know their history. Names such as Sergio Rodrigues , Lina Bo Bardi and Oscar Niemeyer are in the selection. Check it out!

The High Armchair, by Oscar Niemeyer

Created in the 1970s, the Poltrona Alta is an icon of Brazilian design, an unforgettable piece that marks the history of modernism in the country. Designed by Oscar Niemeyer and his daughter, Anna Maria, the armchair has a unique design, the main feature of which is the curve that starts at the base and reaches the backrest.

The Chair with the Brass Ball, by Lina Bo Bardi

Exclusive design, only six pieces of the Brass Ball Chair were produced in 1951, the year of its creation, to be part of the historic Glass House . Original design by Lina Bo Bardi, the armchair is characterized by iron, leather and two spheres made of brass that give it a strong scenographic character.

The Mole armchair, by Sergio Rodrigues

Perhaps one of the most famous pieces when it comes to authentic Brazilian furniture , the Poltrona Mole, created in 1957 by Sergio Rodrigues, as its name suggests, conquered the national and international market for the comfort of its natural leather upholstery. Innovative, the piece was contrary to the Bauhaus guidelines, famous for the motto "less is more". Today, it is considered one of the 30 most important seats in the world . The Mole armchair is also part of the permanent collection of the MoMA (Museum of Modern Art) in New York. .

The Windsor chair, by Jader Almeida

The Tonico Armchair, by Sergio Rodrigues

Designed to be a popular piece of furniture, the Tonico Armchair is full of references to other pieces by Sergio Rodrigues, such as the Chifruda and Mole armchairs. Its creation dates back to the times of Oca and Meia Pataca, companies founded by the designer between 1950 and 1960. With straight and very distinct lines, its design is based on comfort , with the aim of simplifying the manufacturing process.

Benjamin armchair, by Gustavo Bittencourt

Known for valuing handcrafted design pieces, with quality raw materials , especially wood, Gutavo Bittencourt designed the Benjamin Armchair in 2018. Structured in wood and metal, the Benjamin chair is made with a seat and backrest in natural straw woven by hand. hand, plus an accompanying ottoman in a similar style.

The Chaise Rio, by Oscar Niemeyer

Developed in the 1970s, the Rio Chaise was created from the urgency felt by Oscar Niemeyer to develop furniture pieces in line with the architectural production of the period. Its surprising curves were inspired by the natural landscapes of Brazil , and by his hometown, Rio de Janeiro, from which it was named.

The Horned Armchair, by Sergio Rodrigues

Made of solid rosewood and leather, the Horned Armchair draws attention for its unusual design : the large headrest with a pronounced shape is a play by Sergio Rodrigues on the horns of Viking culture – hence its name. The piece was made in 1962 for an exhibition at OCA – Rodrigues’ own store – whose theme was “ furniture as a work of art ”.

Armchair N, by José Zanine Caldas

The design of the N Armchair, with its straight and angular lines , gained great attention in the international media in the 1950s, when it was produced. Its solid wood and ivory wood structure reveals Zanine's unmistakable style and its reduced dimensions are characteristic of the time.