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MDW 2024: Hermès draws attention to the brand's artisanal roots

The French fashion house designed an installation on a patterned surface made up of more than 20 different organic materials

By Redação

Submitted at Apr 20, 2024, 12:00 PM

05 min de leitura
Bricks and terracotta are among the materials used in the Hermès installation

Bricks and terracotta are among the materials used in the Hermès installation (Divulgação)

For Milan Design Week 2024 , French fashion house Hermès has designed an installation that uses reclaimed brick , slate , marble and terracotta to draw attention to the brand's artisanal roots. Spread across the floor of Milan’s La Pelota venue, Hermès artistic directors Charlotte Macaux Perelman and Alexis Fabry have created a patterned surface composed of more than twenty different organic materials.
Hermès at Milan Design Week 2024

(Divulgação/CASACOR)

The materials, which include stone, clay, earth, soil and volcanic rocks , were divided by a trail and assembled into patterns inspired by a silk jockey blouse from the house's archive. After the Milan design week, the installation will be dismantled with the materials sent back to local suppliers to be reused and recycled.
Hermès at Milan Design Week 2024

(Divulgação/CASACOR)

A path laid out across the surface allows visitors to see the different materials up close , before heading behind a screen to see a collection of Hermès home products.
Hermès at Milan Design Week 2024

(Divulgação/CASACOR)

Here, newly launched pieces are juxtaposed with existing products from the house’s archive. The older pieces were chosen because of their connection to the new designs , and were hidden away to allow visitors to experience “the idea of slowness.” "The intention was to show the connection to the earth , to the soil and the connection to the Hermès legacy," explained Charlotte Macaux Perelman.
Hermès at Milan Design Week 2024

(Divulgação/CASACOR)

"In the project, we also tried to convey the idea of slowness, of the path to get there, like a journey – not to show the objects, therefore, in the first part of the cinematography, but to allow the passage of the path to get there to give people time to discover these objects", he adds.