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Charlotte Perriand is the protagonist at Milan Design Week 2025

Saint Laurent, Louis Vuitton, and Cassina highlight different facets of the designer with exhibitions that unite the past, present, and future of modern design

By Julyana Oliveira

Submitted at Apr 10, 2025, 9:17 AM

08 min de leitura
Charlotte Perriand is the protagonist at Milan Design Week 2025
The Milan Design Week 2025 takes a special look at the career of Charlotte Perriand (1903–1999), one of the most daring and innovative figures in 20th-century design. A visionary, Perriand broke down boundaries between form and function, art and industry, East and West. Her career was marked by collaborations with Le Corbusier and Pierre Jeanneret, as well as an authorship production that combined modern rationalism with organic, artisanal, and cultural influences. Over nearly seven decades of work, she left a legacy of timeless pieces and a sensitive approach to living that continues to inspire generations of architects and designers around the world.
Charlotte Perriand is the protagonist at the Milan Design Week 2025

Charlotte Perriand. (Reprodução/CASACOR)

In this edition of the world's leading design week, the impact of her work gains prominence in three distinct and complementary fronts: Saint Laurent recovers and produces unprecedented pieces from the designer; Louis Vuitton presents a collection of textiles based on her original graphic designs; and Cassina celebrates the 60th anniversary of the collection it published with Perriand, Le Corbusier and Jeanneret — featuring new versions of the most coveted pieces and a performative installation from the Formafantasma studio. A multifaceted tribute that revisits the past to think about the future of design. Check out the highlights of each exhibition.

1. Saint Laurent - Charlotte Perriand


Charlotte Perriand is a protagonist at the Milan Design Week 2025

(Divulgação/CASACOR)

At the Padiglione Visconti, Saint Laurent presents an exhibition featuring four pieces of furniture designed by Charlotte Perriand between 1943 and 1967. Until now, these pieces existed only as prototypes or sketches and have now been produced for the first time at full scale, curated by Anthony Vaccarello.
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La Banquette de la Résidence de l’Ambassadeur du Japon à Paris (1967): original of a project for the residence of the ambassador of Japan in Paris, the piece was commissioned by the architect Junzô Takakura. It is a monolithic five-seat sofa that seems to float despite its considerable weight — an effect achieved by its base of more than seven meters in length, curved at the ends. It is now reissued in a sophisticated combination of rosewood, cane, and Thai silk by Jim Thompson.

(Divulgação)
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La Table Mille-Feuilles (1963): one of Perriand's most complex creations, this table was considered impossible to manufacture and remained as a model on her desk for decades. The piece is composed of ten overlapping layers of contrasting woods, such as rosewood and cherry, forming concentric circles on the lowered and beveled tabletop. Each example will be unique, shaped by the natural variations in the wood grains.

(Divulgação)
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La Bibliothèque Rio de Janeiro (1962): created for Perriand's husband, the shelf combines functionality and art. Made of solid Brazilian wood, with sliding doors in woven cane, the piece communicates with the vernacular architecture of Brazil. It has been publicly exhibited only three times in the last 25 years.

(Divulgação)
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Le Fauteuil Visiteur Indochine (1943): inspired by the period when Perriand lived in Vietnam as the director of Applied Arts, this armchair combines modernist aesthetics with local crafts. It has a chromed tubular structure, a rosewood seat and backrest, and a traditional Thai cushion.

(Divulgação)
The exhibition will take place from April 8 to 13. During this period, the pieces will be available for order in limited editions. At Piazza San Babila, the Saint Laurent Editions kiosk presents a photographic volume dedicated to Perriand's work, as well as a catalog of the collection.

2. Louis Vuitton – Objets Nomades


Charlotte Perriand is the protagonist at Milan Design Week 2025

(Divulgação/CASACOR)

At Palazzo Serbelloni, Louis Vuitton presents a new edition of the Objets Nomades collection, featuring furniture and decoration objects signed by names such as Estúdio Campana, Patricia Urquiola, India Mahdavi and Charlotte Perriand. This year, the brand celebrates particularly the work of the French designer with an unprecedented collection of textiles, that revisits graphic patterns developed by her in the 1930s.
Charlotte Perriand is the protagonist at Milan Design Week 2025

(Arquivo Charlotte Perriand/CASACOR)

The cushions and blankets bring back motifs created by Perriand in her first apartment, at Place Saint-Sulpice in Paris, where she experimented with industrial materials like chrome and nickel, combined with cozy fabrics and abstract patterns. One of the highlights is the mountain motif that adorned her stool, now reinterpreted in a new scale and color composition. Other patterns were rescued from old sketchbooks, in a collection that reveals the graphic and pictorial side of her creation.
Charlotte Perriand is a protagonist at the Milan Design Week 2025

(Divulgação/CASACOR)

"All her designs illustrate the shift in decorative arts towards modernism,” states her daughter, Pernette Perriand-Barsac, who participated in the project and had previously collaborated with Louis Vuitton in 2013 on the reconstruction of the modular house Maison au Bord de l’Eau from 1934, designed by Perriand as a seaside refuge, accessible and elegant. Louis Vuitton reconstructed the work 12 years ago and now presents it again as a tribute to modernism and the inventiveness of its author.

3. Cassina – Staging Modernity


Charlotte Perriand is the protagonist at Milan Design Week 2025

(Divulgação/CASACOR)

Cassina celebrates the 60th anniversary of the production of the collection Le Corbusier, Pierre Jeanneret, Charlotte Perriand with the installation Staging Modernity, created by the Formafantasma studio. The exhibition, at the Teatro Lirico Giorgio Gaber, proposes a sensory and critical immersion into the contradictions between modernist ideals and contemporary urgencies.
Charlotte Perriand is a protagonist at the Milan Design Week 2025

(Divulgação/CASACOR)

In addition to the visual installation, a theatrical performance directed by Fabio Cherstich brings to life unpublished texts from thinkers Emanuele Coccia, Andrés Jaque, and Feifei Zhou. Fragmenting and reinterpreting the work of the modernist trio, the project invites the audience to reflect on how 20th-century rationalism can engage with a new ecology — more fluid, natural, and inclusive. The starting point of this celebration is the trajectory of the collection Le Corbusier, Pierre Jeanneret, Charlotte Perriand, published by Cassina since 1965 — while all three designers were still alive. The Italian company was a pioneer in transforming originally artisanal pieces, presented at the Salon d’Automne in 1929, into industrial production furniture without losing fidelity to the original designs. Over the decades, the collection has become a symbol of the brand's internationalization and an absolute reference in modern design.
Charlotte Perriand is the protagonist at the Milan Design Week 2025

(Divulgação/CASACOR)

To mark the 60th anniversary, Cassina launches a limited edition of the first four models of the collection: the LC1 armchair (Fauteuil dossier basculant), the LC2 and LC3 armchairs (Fauteuil Grand Confort, petit and grand modèle), and the LC4 chaise longue (Chaise longue à réglage continu). These classic pieces receive new versions in vibrant shades of red, blue, and green, with polished metal structures and finishing in velour mohair ton-sur-ton or self-supporting leather. Developed with circular materials, the editions are part of the brand's "durable" line, reaffirming Cassina's commitment to more sustainable practices. The development of these new versions involved collaboration with the Fondation Le Corbusier and the heirs of Perriand and Jeanneret, ensuring conceptual and historical fidelity. Available for order until September 2026, the pieces reaffirm the relevance of the trio's ideas and the central role of color as an expressive element in modernist design.