From the rusticity of straw to the sophistication of marble,
textures have become protagonists at
CASACOR Ceará 2025. More than an aesthetic resource, they play an essential role in creating
sensory atmospheres—translating the encounter between nature, technique, and affection. In different proposals, Cearense professionals have shown how
finishes can awaken emotions and re-signify the concept of contemporary comfort. Each project uses natural materials uniquely, revealing
stories,
memories, and
identities. Below, we have gathered some of the
most inspiring proposals presented in this year's edition—which takes place in Meireles (Rua Tibúrcio Cavalcante, 607) until November 16. Julia Gasparini – Bangalô Duna The
Bangalô Duna is one of the main references for the use of textures in CASACOR Ceará 2025. The project by
Julia Gasparini combines: bamboo structures, wooden floors and furniture, earthen walls, carnauba straw roofing, stone bathroom, and interiors made of
natural fibers. By doing this, the project shows that it is possible to build with
natural and minimally processed materials without losing comfort, simplicity, and sophistication. Joana Rezende Arquitetura – Adega: Ciclo dos Sonhos Meanwhile, the
Adega: Ciclo dos Sonhos pays tribute to the moments that inspire and move us—with elements that refer to the stages of sowing, cultivating, and harvesting. Among them, the
textures of exposed stones,
panels and wooden furniture, and
straw chandeliers stand out. Additionally, Joana Rezende's composition retains the original arch of the space and makes use of
earthy tones. Milena Holanda – Varanda Aurora The textures are also great protagonists of the
Varanda Aurora. The project precedes the CASACOR Ceará house, acting as a pause and welcome space for visitors. To achieve this,
Milena Holanda combines
earthy tones, inviting furniture, and natural materials—such as wood, straw, linen, and textured walls. Estar Urbano – Brinquedoteca Inclusiva Girassol The
playroom is the perfect space to indulge in textures that awaken children's senses. Not surprisingly, they appear abundantly in the
Inclusive Playroom Girassol—a project created for the Girassol project by the Municipal City Hall of Fortaleza.
Bamboo, straw, and natural fabrics are some examples of the materials used by
Estar Urbano in the project. Fabricio Pereira and Roberta Pereira – Alpendre da Casa The
Alpendre da Casa is another project in CASACOR Ceará clad with natural textures. The use of
raw stones, bamboo, and straw by architects
Fabrício Pereira and Roberta Pereira aims to create a connection between the
veranda and the outside world while preserving the coziness of the interiors. Stephanie Ribeiro – Casa Crioula For her part, the project by
Stephanie Ribeiro draws a metaphor of the seed as creation, resistance, and future. Named
Casa Crioula, the space is fluid and welcoming, with an oval layout, earthy tones, and artistic pieces full of symbolism (and textures!). The coating is made of
sustainable bricks—replicated like seeds that multiply in the landscape, a tribute to
ancestral architecture. Kel Oliveira – Lounge Moura Dubeux Walls and ceilings are textured in
Kel Oliveira's space, the
Lounge Moura Dubeux. The project translates the meeting between luxury, functionality, and timelessness—proposing a sensory and welcoming experience for visitors. The finishes include
wood, marble, and exposed concrete. Jéssica Aguiar – Home Cinema The textured finishes are more discreet in
Jéssica Aguiar's Home Cinema, yet equally enveloping. The space conveys modernity in every detail, with
organic forms that soften the architecture and create fluidity. On the walls and counter, the finish resembles
raw stone, awakening the curiosity of viewers. Marcelo Franco – Do Fogo ao Aço Finally,
textured floors and walls blend into
Marcelo Franco's project. The minimalism in lighting and materials used provides an air of mystery—where the highlight is the sensory experience it offers to CASACOR Ceará visitors.
Do Fogo ao Aço is an invitation to reflect on the meaning of architecture in its purpose towards society.
