Optimizing natural lighting and using curved forms were some of the solutions adopted by the Marcela Penteado Arquitetos office, part of the CASACOR São Paulo lineup
Submitted at Jan 17, 2026, 10:00 AM

Materiais atemporais e peças assinadas dão vida a este apê de 140 m² (Fran Parente/CASACOR)
Materiais atemporais e peças assinadas dão vida a este apê de 140 m² (Fran Parente/CASACOR)
One of the major challenges was precisely to increase the entrance of natural light in a property with few openings. The solution came with the choice of a light palette, matte finishes, and the removal of unnecessary partitions, creating a light and continuous atmosphere. At the center of this strategy is the staircase with gentle curves and organic design, which not only connects the two levels but also guides the gaze, distributes the light, and transforms each journey into a sensory experience.
Materiais atemporais e peças assinadas dão vida a este apê de 140 m² (Fran Parente/CASACOR)
The integration between kitchen and dining room encourages socializing, the bar proposes relaxed moments, and the main room opens up as a resting scenario.
Materiais atemporais e peças assinadas dão vida a este apê de 140 m² (Fran Parente/CASACOR)
On the upper level, the suite with a closet and the office ensure privacy without losing connection with the rest of the house. The choice of materials adds texture and identity.
Materiais atemporais e peças assinadas dão vida a este apê de 140 m² (Fran Parente/CASACOR)
The cumaru flooring runs through all the rooms, revealing its warm tone and striking grains, while the quartzite Vitória Régia and the quartz Raffaello stand out in strategic points — such as in the bar, the side table, and the staircase itself. Combined with precise lighting, these elements create a visual narrative that enhances the experience of inhabiting the space.
Materiais atemporais e peças assinadas dão vida a este apê de 140 m² (Fran Parente/CASACOR)
Among the pieces of furniture and art, some become the protagonists: the Jangada armchair by Jean Gillon (1968); the Alvéolo painting by Rodrigo Zampol; the Pétala side table by Jorge Zalszupin; and the Sônia bench by Sérgio Rodrigues. Icons that bring memory, sophistication, and a unique character to the project.
















