The projects of CASACOR Rio show that the prints have ceased to be supporting characters to take a central role in the creation of contemporary atmospheres.
Submitted at Oct 24, 2025, 5:00 AM
Os ambientes da CASACOR Rio mostram que as estampas deixaram de ser coadjuvantes para ocupar um papel central na criação de atmosferas contemporâneas (CASACOR/CASACOR)
This renewed presence of prints on different surfaces reveals a new perspective on decor: freer, more expressive, and sensory. From upholstered sofas and armchairs to wallpapers that cover the ceilings of the projects, the prints of CASACOR Rio create visual narratives full of identity and movement. We’ve gathered the most interesting ones in the galleries below!
In fabrics and upholstery, geometric prints are a way to translate visual comfort. Subtle stripes and reinterpreted checks appear on sofas, armchairs, bed linens, and cushions. The secret lies in the balance between texture and color: neutral bases help integrate different patterns, allowing the print to be perceived as part of the architecture. Fabrics with natural weaves, like linen and cotton, reinforce the tactile and sophisticated aspect of the composition.
At CASACOR Rio, the use of printed fabrics can be seen in proposals such as Loft Dolce Vita, by Fernanda Medeiros Architecture, Loft Atlas Urbano, by Nando Grabowsky, Porto da Correspondente, by Anna Malta and Andrea Duarte, Recanto Serrano, by Studio Marino, and Estar da Varanda, designed by Mauricio Nobrega, Bia Wolff, Maria Estellita, and Patricia Vieira.
[gallery-abril id="68fa50ec184576c0a76dd92b" type="slider" showtitle="undefined" data-restrict="false" data-title="Fabrics CASACOR Rio" data-description="" data-image="https://cdn.assets-casacor.tec.br/file/casacor-images-news/2025/09/fernanda-medeiros-arquitetura-loft-dolce-vita-casacor-rio-de-janeiro-2025-credito-andre-nazareth-21.webp"]The walls and, primarily, the ceilings have ceased to be supporting characters to become elements of identity in the decor. When printed with vertical and horizontal stripes, these surfaces have the power to modify the perception of space, — expanding areas, creating movement, or even highlighting specific points of the composition.
Among the projects of CASACOR Rio, the creative use of printed walls and ceilings appears in Café La Fleur, by Altera Architecture and Interiors, in Muito Além do Jardim, by Ana Veras, and in Restaurante Afeto, by Ana Cano and Bernardo Villar.
[gallery-abril id="68fa524d184576c0a76dd934" type="slider" showtitle="undefined" data-restrict="false" data-title="Printed Walls CASACOR Rio" data-description="" data-image="https://cdn.assets-casacor.tec.br/file/casacor-images-news/2025/09/altera-arquitetura-e-interiores-cafe-la-fleur-casacor-rio-de-janeiro-2025-credito-andre-nazareth-8.webp"]Finally, but no less impactful, printed rugs play a silent but essential role: anchoring the gaze and unifying different areas. Striped, checked, or with geometric patterns, they create rhythm and movement without overwhelming the project. To maintain lightness, the tip is simple— the more vibrant the design, the more neutral the base should be.
At CASACOR Rio, printed rugs stand out in projects such as Jardim das Reminiscências, by Karyne Lima, Casa Origem, by Jacira Pinheiro, Bar Secreto CasaShopping, by Andrea Eiras, Aurora Grei, and Carla Napoli, the project Entre Ciclos, by Camilla Bortolini and Priscilla Dias, Reconto Bar, by Citè Architecture, and Casa Brisa Deca, by Paola Ribeiro.
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