Ceramics, basketwork, embroidery and carpentry by indigenous peoples and female artisans mark the furniture at CASACOR São Paulo 2024
Submitted at Jun 21, 2024, 5:00 AM

Gabriel Fernandes - Veredas Simonetto House. CASACOR São Paulo 2024 Project. (MCA Estúdio)
(Bia Nauiack/CASACOR)
The wooden benches carved by artist Kulykirda Stive Mehinaku for Tekohá Square , designed by Luciano Zanardo, represent the history of the Mehinaku people , located in the Xingu indigenous territory in Mato Grosso. In its debut at CASACOR, the furniture produced by Kulykirda is shaped like native Xingu animals and corresponds to more than 15 pieces in the space.
According to Kulykirda, the benches are the seats of the Xingu indigenous community, and each one has a different meaning: “There is a shaman bench, which is square, and there is a chief bench, which is a hawk, a king vulture and two heads.” The body graphics of the Mehinaku people were used to make the benches.
(Bia Nauiack/CASACOR)
The artist followed in the footsteps of his family, who have been producing art for many generations, but it was only with Kulykirda that the community's artistic tradition gained widespread visibility. “In the time of my father and grandparents, our pieces were not visible or appreciated. I am very happy to be gaining recognition for my work and the ancient culture of my Mehinaku people, and in the future, our children will continue to maintain this culture,” he says.
Indigenous art is also a key element of Casa Urucum , a project by SALA2 Arquitetura. By rescuing the craftsmanship of a pre-Columbian culture, the ceramics of the Marajoara people add a cultural and historical dimension to the space, explains Vanessa Martins, the architect of the space.
(Maria Fernanda Barros/CASACOR)
(MCA Estúdio/CASACOR)
At Casa Veredas Simonetto, designed by Gabriel Fernandes, ancestry is represented in the 2,500 niches filled with bricks handcrafted by the Maria do Barro community . According to the architect, the craftsmanship pays homage to the Brazilian country house and the origin of the pieces further enhances the meaning of the space.
The artisans of the Maria do Barro Institute are the creators of the complex structure of Gabriel's environment. The community is made up of women who lived in vulnerable situations and currently earn their entire income through working with clay.
(MCA Estúdio/CASACOR)
Ana Weege - Estúdio Âmago. Projeto da CASACOR São Paulo 2024. (MCA Estúdio/CASACOR)
(MCA Estúdio/CASACOR)