2025

For the first time, CASACOR São Paulo set down at Parque da Água Branca. The new venue fulfilled the desire to return to a wooded, open-air setting, since the park—born with a rural bent in response to urbanization—preserved remnant Atlantic Forest vegetation and became part of the urban fabric to improve environmental conditions and quality of life.

With 73 projects—among artistic installations, gardens, houses, lofts, cafés and restaurants—CASACOR São Paulo brought together architecture, art and nature, reaffirming its role as a reference by inspiring new reflections on ways of living and the future of cities.

Among the experiences, the Ninho, by Marko Brajovic, stood out as an invitation to reconnect with natural cycles, offering a space of shelter, contemplation and belonging, inspired by organic structures created by other species.

In Jardim Simbiose, by Kawai Paisagismo, a work by artist Bruna Mayer brought together live microorganisms collected from soil, plants, water and air from the Park, making an invisible ecosystem visible and broadening perception of the interdependence between art and science.

"Sowing Dreams," the theme that guided the 2025 exhibitions, invited reflection on the ability to dream collectively and create a harmonious, collaborative future. The theme reinforced the concept of a multispecies city and cast parks as the places where the cities of the future will be born.

A highlight of the year was CASACOR's consistent move to occupy and reframe historic buildings and areas of high symbolic value. In Florianópolis, the exhibition took over the former NSC print park, turning an industrial legacy into a creative lab open to the city. In Rio Grande do Sul, the occupation of the old Salgado Filho International Airport terminal reinterpreted the marks left by the 2024 flood as physical and poetic memory, woven into the environments.

In Salvador, CASACOR again reclaimed history by occupying the former Convento e Colégio Nossa Senhora das Mercês, a nearly three-century-old building in the city center. In Minas Gerais, the 2025 edition celebrated the show's 30th anniversary in a historic property in Belo Horizonte. In Brasília, the choice of Casa do Candango reinforced CASACOR's vocation to activate emblematic spaces.

Destaques

CASACOR returned to Mato Grosso do Sul after four years and to Itapema, expanding its national presence.
Launch of Instituto CASACOR, an initiative to strengthen social, environmental and cultural impact.
Opening of the CASACOR e o Parque exhibition, exploring the relationship between the show and green public spaces.
Announcement of CASACOR's move to Costa Rica in 2026, consolidating the brand's internationalization.

01/08 - In 2025, CASACOR São Paulo set down for the first time at Parque da Água Branca.

In the Ninho project, Marko Brajovic designed a prototype urban lounge inspired by the structures built by great kiskadees, thrushes, sparrows, parakeets, hummingbirds and tanagers.

02/08 - In the Ninho project, Marko Brajovic designed a prototype urban lounge inspired by the structures built by great kiskadees, thrushes, sparrows, parakeets, hummingbirds and tanagers.

Sculptures from the Agglomerations series by Curitiba artist Bruna Mayer were the focus of Jardim Simbiose, by Kawai Paisagismo, which took shape and color from the laboratory cultivation of local substrate in contact with the author's skin.

03/08 - Sculptures from the Agglomerations series by Curitiba artist Bruna Mayer were the focus of Jardim Simbiose, by Kawai Paisagismo, which took shape and color from the laboratory cultivation of local substrate in contact with the author's skin.

Among the highlights was CASACOR's move into historic, high-symbolic-value spaces in its regions. In the photo, Casa Dimas, by Octaedro Arquitetura, proposed a living link between Florianópolis, nature and the possibilities of a conscious future.

04/08 - Among the highlights was CASACOR's move into historic, high-symbolic-value spaces in its regions. In the photo, Casa Dimas, by Octaedro Arquitetura, proposed a living link between Florianópolis, nature and the possibilities of a conscious future.

CASACOR Rio Grande do Sul incorporated elements from the old Salgado Filho Airport terminal into its environments. In the photo, the Lounge A Conquista do Espaço, by Caroline Kreling, highlights the homonymous work by Aldo Locatelli.

05/08 - CASACOR Rio Grande do Sul incorporated elements from the old Salgado Filho Airport terminal into its environments. In the photo, the Lounge A Conquista do Espaço, by Caroline Kreling, highlights the homonymous work by Aldo Locatelli.

In 2025, CASACOR Bahia wove the new and the old in all its proposals, honoring the memory of the convent built in 1735. In the photo, the AVE - Bilheteria environment, by NN Arquitetos, offers a sensory and spiritual experience right at the exhibition entrance.

06/08 - In 2025, CASACOR Bahia wove the new and the old in all its proposals, honoring the memory of the convent built in 1735. In the photo, the AVE - Bilheteria environment, by NN Arquitetos, offers a sensory and spiritual experience right at the exhibition entrance.

CASACOR Minas Gerais celebrated its 30th anniversary in the building that housed the Instituto Metodista Izabela Hendrix, now PUC Lourdes. In the Living Mineiridade project (photo), Flávia Roscoe offers warmth, tradition and affection drawn from the cultural identity of Minas Gerais.

07/08 - CASACOR Minas Gerais celebrated its 30th anniversary in the building that housed the Instituto Metodista Izabela Hendrix, now PUC Lourdes. In the Living Mineiridade project (photo), Flávia Roscoe offers warmth, tradition and affection drawn from the cultural identity of Minas Gerais.

In an unprecedented setting, CASACOR Brasília took place at Casa do Candango—a building abandoned for over a decade that was fully restored for the show. In Espaço Pousar (photo), Marina Pimentel proposes a sensory and symbolic pause amid nature.

08/08 - In an unprecedented setting, CASACOR Brasília took place at Casa do Candango—a building abandoned for over a decade that was fully restored for the show. In Espaço Pousar (photo), Marina Pimentel proposes a sensory and symbolic pause amid nature.