This was the first time that the selection of participants was carried out by a curatorial committee, which also had the mission of restoring all the glamour and sophistication of the show's early years.
In São Paulo, visitors could also admire a unique exhibition of furniture and antiques from part of the collection of the Museum of Modern Art in New York (MoMA), the result of a partnership between the brand and Fiesp.
Among the unforgettable spaces were Roberto Migotto’s beach house, the loft by Antonio Ferreira Júnior and Mario Celso Bernardes, and the garden by landscape designer Luiz Carlos Orsini, a tribute to Inhotim.
CASACOR Rio de Janeiro was set up in a condominium in Península, the city’s first ecologically planned neighborhood, located in Barra da Tijuca. Ivan Rezende designed the entrance area and used light wooden panels to define the spaces.
In Ceará, the exhibition took place in a 1950s house, with the facade’s retrofit done by Érico Monteiro.
In Goiás, Leo Romano placed the living room at the center of a reflecting pool.
Bolivia also hosted its first edition of CASACOR.
