The focus on sustainability and the centenary of Roberto Burle Marx guided the exhibition, which occupied much of the Jockey Club with the CASACOR Village. Complete houses were spread across the site, and the entrance garden, designed by Gica Mesiara, paid tribute to the renowned landscape designer.
In her live-work loft, Fernanda Marques designed a powerful bookshelf and positioned the office facing a lake. Arthur Casas’ cabin highlighted folk art with works by master artisans displayed in a horizontal opening in the wall. Marcia Coelho reinterpreted handmade craftsmanship through aluminum sheets with lace-like cutouts applied to the facade.
Wooden spheres added a playful touch to Marcelo Faisal’s tropical garden. That year, two simultaneous events were created: CASA KIDS and CASA HOTEL.
In Rio de Janeiro, Ivan Rezende designed a glass box that integrated architecture with the landscape. In Ceará, the exhibition took place in a modernist house from 1956, a project by Acácio Gil Borsoi. Another franchise was inaugurated, in Mato Grosso do Sul.
