Instead of masking the structure of the Conjunto Nacional mezzanine, Guinter Parschalk chose to keep the place as he found it, with concrete beams, metal bars and exposed pipes, and to work only with lighting effects, his specialty. The name given to the space plays on the idea of using red light to define the perimeter where technical lighting fixtures are displayed. According to the professional, this is the color that best allows for the visualization of contrasts and, therefore, the perception of details.
