Starting from the principle that display windows are also framed windows designed to attract our gaze, the projects provide a humanized shape for the work of miners' craftsmen. The floor was covered with sand. The natural aspect was reinforced by an armchair and a stool, made of wood, with organic shapes and leather seats, by Ricardo Rangel. In the space of Andréa Medeiros and Francisco Morais, everything is signed by local designers and artists. This is the case of the floor lamp by Moos Estúdio Design for Tem pluz and of the diptych by photographer Daniel Mansur. There are still some glass totems and others in marble, where necklaces are displayed.
