The hall is the tenuous space between the internal and the external that reveals all the tension in the pandemic context through the search for a place. Here, Roger Lages' choice was more scenography and more narrative than reality. The primitive and the ancestry are materialized in elements that evoke the notion of physical-mental space that serves as a refuge. A project in which aridity and comfort were juxtaposed. The starting point was the wooden benches, which resemble river pebbles, and continues in the affective design of Rodrigo Ohtake's armchair. The eucalyptus trunks create a harmonious composition with the curved divider made of cylindrical PVC pipes.