The quiet associated with the pines has a curious origin: a natural component of the trees has herbicidal properties, which inhibits the growth of other plants around and, consequently, drives away the fauna. In this tranquil scenario, the wind and its whistling become a significant presence. The agronomist and landscaper took advantage of this sound quality already present in the place to complement the existing grove with references essentially Japanese. The charred wood furniture, the artworks by Bia Dória, and the installation mounted with fabrics stand out in the 302 m2. Like origami, the marble and quartzite staircase unfolds to traverse the space.