Architect Eduardo Correia brings a bar to the stands, with a view not only of the Jockey racetrack but also of a part of the city that is cut by the Pinheiros River. The space has an internal shape that echoes a rectified river, and around it, a carpet made of natural fiber representing the devastated banks. A handcrafted wooden panel receives the series from photographer Denilson Machado, who reinterprets abandoned places with colorful balloons. Engravings by Oswald Goeldi made for the book Mar Morto by Jorge Amado, bring forth the figure of the fisherman in contact with nature and stimulate the analysis of the relationship between urban centers and projects.
